Goldsmiths Press website and on The Commonplace (a publication of the Knowledge Futures Group).Then there was.him On rare occasions, some of us, the unlucky ones, stumble upon a false veil of reality hidden deep in the depths of the one we love. What might a different future look like?Ĭontributions will be published open access (free to publish and free to read) on the We cannot and should not return to "life as we know it". We encourage authors to engage with and develop the prevailing sentiment that, post Covid-19, In addition to analyses of our present situation, Goldsmiths Press is commissioning blogs, opinion pieces, essays and speculative writing from UKĪnd international scholars that reflect on the current pandemic from the perspective of social,Įconomic and environmental justice. We would love to hear from you and please do pass this invitation on to any other academic colleagues you think may be interested in contributingĮllen Parnavelas Kember Sewell and Opinion Pieces If you have an idea to put forward, please send us a short outline. We feel that poetry and short fiction are important ways in which to respond, rethink and rebuild in times of uncertainty. If selected, we will publish this open access (free of charge, and for all to read) on our website and on MIT's platform, PubPub. We are inviting our authors to write something new or propose a piece of their existing work that might be relevant. Goldsmiths Press is commissioning poetry and short fiction that reflects on the current pandemic from the perspective of social,Įconomic and environmental justice. Critical Tactics for Making and Communicating Research Just published: a white paper on the future of scholarly communications Through this prism, Furious brings into focus themes including the automation of home and domestic work, the Anthropocene, and intersectional feminist technofutures.Īn Altered Landscape: The Impact of COVID-19 on University Presses Traditions and contributions to the field, offering alternative modes of knowledge production, and a radically different, poetic writing style. Contesting these writings, practices and politics, the authors foreground feminist Masculinist digital world, highlighting the tendency of digital humanities scholarship to venerate and essentialise technical forms,Īnd to adopt gendered writing and citation practices. In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a Through which we grapple with it remains deeply problematic?
But how can we really understand the digital world when so much of the writing Technological Feminism and Digital FuturesĬaroline Bassett, Sarah Kember, Kate O'RiordanĪs digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields,įrom politics and economics, to media and education.
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